The Lamps In My House

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Fatih Arslan published a tour of lamps in his home, describing classic designs by Artemide, Richard Sapper, Isamu Noguchi, Louis Poulsen and Arne Jacobsen. His report combines personal preferences and details about the designs, while acknowledging that the lamps are expensive and that less costly alternatives exist.

Designer and writer Fatih Arslan published a tour of the lamps in his home on October 5, 2026, featuring designs by Artemide, Richard Sapper, Isamu Noguchi, Louis Poulsen and Arne Jacobsen, much like how a designer transformed a 1977 Sears kit house into a colorful retreat by curating specific aesthetic elements. The report documents his collection and the stories behind it, while noting that these lamps are expensive and that buying one is often a matter of collecting rather than simply lighting a room, though for those seeking safer, less costly alternatives, best candle warmer lamps can make your home cozy and safe without the high price tag.

Arslan’s selection ranges from task lighting to sculptural paper lamps and ceiling fixtures, creating an atmosphere similar to what you might find in a Taipei apartment renovation highlighting modern design. It includes the Artemide Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina in 1987, and Richard Sapper’s Tizio Micro, a smaller version of his 1972 desk lamp. Arslan describes the Tolomeo as easy to reposition and says he made an adaptor to attach his lamp directly to a USM Haller desk. The Tizio’s arms carry electricity, while counterweights let the lamp hold its position as it moves.

Several lamps in the home belong to Noguchi’s Akari series, which began in 1951 after the designer visited Gifu, Japan, known for its paper lanterns. Arslan describes the 1A, 3A, 16A and 75A models, made with washi paper. He says the 75A, roughly 75 centimetres across, is the largest lamp in his home, while the 16A moved from his office to his bedroom. The report says Akari lamps continue to be made by hand at Ozeki, a family-run workshop in Gifu, and that genuine models bear a red sun-and-moon stamp.

The collection also includes two designs by Poul Henningsen for Louis Poulsen: the PH 5, introduced in 1958, and the PH 3/2, which uses a three-shade system. Arslan says the PH 5’s layered shades keep the bulb from being directly visible, creating softer light. He also writes about the glass PH 3/2, which he accidentally broke and replaced after waiting several months. The tour includes an Arne Jacobsen AJ wall lamp, designed in 1957 for Copenhagen’s SAS Royal Hotel; Arslan says its tilting head is a feature he particularly likes.

The Appeal Beyond Illumination

Arslan’s report is a personal account, not a price survey or buying guide, but it makes a clear distinction between functional lighting and collecting. The objects he describes are valued not only for the light they provide but also for their designers, histories, materials and place in a room. That distinction helps explain why a collector might pay more than they would for a basic lamp.

His comments also give readers a practical caveat: he writes that his lamps are not cheap and says their prices may not be justified on utility alone. He points out that well-designed lower-cost lamps are available, including options from IKEA, and says vintage shops and fairs can offer the designs he discusses at better prices. The report does not compare specific prices or establish how readily any model can be found, so those observations remain his personal guidance rather than a market assessment.

From Desk Lamps to Akari

The designs in Arslan’s tour span several decades and different approaches to domestic lighting. The Tolomeo and Tizio are presented as adjustable desk lamps, while Noguchi’s Akari designs use washi to soften light and create lightweight, sculptural forms. Henningsen’s multi-shade designs likewise manage how light reaches a room, while Jacobsen’s AJ wall lamp can be tilted to direct it.

Arslan connects some of the lamps to wider design history. He notes that the Tolomeo won the Compasso d’Oro in 1989 and that Sapper later designed the first IBM ThinkPad. He also describes the Akari series as a body of more than 100 designs by Noguchi. These details place the lamps in a design tradition, but the article’s main focus remains his own collection and how the pieces work in his home.

““Are they worth it? Probably not for their price, but for me they are worth every penny.””

— Fatih Arslan, on the collection’s cost

Prices and Availability Vary

The report does not give purchase prices, current retail availability or a consistent comparison between the featured lamps and less expensive alternatives. Arslan says some can be found at vintage stores or fairs for good prices, but does not identify sellers, locations or specific listings. Readers should not treat the article as current shopping or pricing data.

The tour also reflects Arslan’s own preferences and experiences. It does not assess the lamps’ light output, energy use or suitability for particular rooms through testing. His descriptions of comfort, appearance and placement are personal observations, and the report does not establish that every model will produce the same effect in another home.

A Personal Collection Tour

Arslan’s report presents the lamps as a tour of objects he already owns, rather than announcing a product launch, exhibition or new retail release. No future event or follow-up is specified in the source material. The immediate next step for readers is to use the model names and design details as starting points for their own research, while checking current prices, authenticity and availability with sellers.

Key Questions

What is the news about the lamps?

Writer Fatih Arslan published a tour of the lamps in his home, describing their designers, histories and how he uses them.

Which lamp designs does the report feature?

The selection includes the Artemide Tolomeo Mini, Richard Sapper’s Tizio Micro, four Isamu Noguchi Akari models, Louis Poulsen’s PH 5 and PH 3/2, and an Arne Jacobsen AJ wall lamp.

Does Arslan say the lamps are worth their price?

He says they may not be worth the price on practical grounds, but that they are worth it to him. He describes the appeal as partly about collecting, not just illumination.

Are there less expensive alternatives?

Arslan says IKEA sells well-designed lamps for much less and that vintage shops or fairs may offer some of the featured designs at better prices. He does not provide specific prices or listings.

How can readers identify an authentic Akari lamp?

Arslan says genuine Akari lamps carry a small red sun-and-moon stamp. Buyers should still verify a lamp’s authenticity and condition with the seller, since the report is not a buying guide.

Source: hn